Summary

Portrait of Algernon Blackwood Algernon Blackwood The Empty House and Other Ghost Stories

And now! What horrible straits to be in. How could any man let the love of dissipation take such hold upon him?
But one of their vows together Marriott, it seemed, had completely forgotten. Just now, at any rate, it lay too far in the background of his memory to be recalled.
Through the half-open door—the bedroom led out of the sitting-room and had no other door—came the sound of deep, long-drawn breathing, the regular, steady breathing of a tired man, so tired that, even to listen to it made Marriott almost want to go to sleep himself.
Source: Gutenberg

Portrait of Algernon Blackwood Algernon Blackwood The Empty House and Other Ghost Stories

Once a dog barked somewhere in the distance, probably on the Lower Farm; and once an owl hooted close outside and I could hear the swishing of its wings as it passed overhead. Above me, in the darkness, I could just make out the outline of the barn, sinister and black, the rows of rafters stretching across from wall to wall like wicked arms that pressed upon the hay. Shorthouse, deep in some involved yarn of the South Seas that was meant to be full of cheer and sunshine, and yet only succeeded in making a ghastly mixture of unnatural colouring, seemed to care little whether I listened or not.
Source: Gutenberg

Portrait of Algernon Blackwood Algernon Blackwood The Empty House and Other Ghost Stories

This shaft of light shed a faint radiance above and below it, lending to the objects within its reach a misty outline that was infinitely more suggestive and ghostly than complete darkness. Filtered moonlight always seems to paint faces on the surrounding gloom, and as Shorthouse peered up into the well of darkness and thought of the countless empty rooms and passages in the upper part of the old house, he caught himself longing again for the safety of the moonlit square, or the cosy, bright drawing-room they had left an hour before.
Source: Gutenberg

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