Alice Stopford Green

Alice Stopford Green

Summary

Portrait of Alice Stopford Green Alice Stopford Green The Old Irish World

Margaret’s munificence were among those to whom we owe all that we now know of Irish history; they were of the men who in the Irish revival of the thirteenth and fourteenth centuries spent their lives in searching out, preserving, copying, the records, laws, and traditions of their people. They were the lively translators of books from abroad, the students of the modern sciences, the band of scholars whose powerful influence was drawing the inhabitants of Ireland, English and Irish, into one culture. Their spirit is shewn in many sayings of the time.
Source: Gutenberg

Portrait of Alice Stopford Green Alice Stopford Green The Old Irish World

Here history has a peculiar doom. It is enslaved in the chains of the Moral Tale—the good man (English) who prospered, and the bad man (Irish) who came to a shocking end—the kind of ethical formula which, for all our tutors and teachers could do, never deceived the generosity of childhood. The good man in the moral tale of Ireland is not even a fiction of Philosophy or of History. He is, oddly enough, the offspring of Grammar alone, and carries the traces of his dry and uninspired pedigree. He owes his being, in fact, to the English dislike for a foreign language.
Source: Gutenberg

Portrait of Alice Stopford Green Alice Stopford Green The Old Irish World

What of beauty, of happiness, or of virtue did each civilization in fact offer to man? What was gained, what was lost? Here would have been a history of fire and flame, a new outlook on the fate of commonwealths, a theme worthy of an English or an Irish patriot.
In the long task of giving its true balance to the history of Ireland, by the discovery of all the facts, and the adjudging of their place, controversy will be lively. Every Irishman for certain will be ready for a battle of wits. But let us keep our intelligence perfectly clear on one point.
Source: Gutenberg

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