Summary

Portrait of Alphonse Daudet Alphonse Daudet Fromont and Risler — Volume 1

Honest Risler's smiles are as warm as his thanks. Sidonie herself displays all her fascinations, overjoyed to exhibit herself in her glory to one who was her equal in the old days, and to reflect that the other, in the room below, must hear that she has had callers. So she makes as much noise as possible, moving chairs, pushing the table around; and when the lady takes her leave, dazzled, enchanted, bewildered, she escorts her to the landing with a great rustling of flounces, and calls to her in a very loud voice, leaning over the rail, that she is at home every Friday.
Source: Gutenberg

Portrait of Alphonse Daudet Alphonse Daudet Fromont and Risler — Volume 1

She remembered that she had seen flowers of a different sort at the house of M. Gardinois, at the Chateau de Savigny, in the hothouses, on the balconies, and all about the gravelled courtyard bordered with tall urns. Those were the flowers she loved; that was her idea of the country!
The little stations in the outskirts of Paris are so terribly crowded and stuffy on those Sunday evenings in summer! Such artificial enjoyment, such idiotic laughter, such doleful ballads, sung in whispers by voices that no longer have the strength to roar! That was the time when M. Chebe was in his element.
Source: Gutenberg

Portrait of Alphonse Daudet Alphonse Daudet Fromont and Risler — Volume 1

Sitting near the door, on a stone which once served as a horse-block for equestrians, Risler watches with a smile the exit from the factory. He never loses his enjoyment of the outspoken esteem of all these good people whom he knew when he was insignificant and humble like themselves. The "Good-day, Monsieur Risler," uttered by so many different voices, all in the same affectionate tone, warms his heart. The children accost him without fear, the long-bearded designers, half-workmen, half-artists, shake hands with him as they pass, and address him familiarly as "thou."
Source: Gutenberg

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