Anna Alice Chapin

Anna Alice Chapin

Summary

Portrait of Anna Alice Chapin Anna Alice Chapin,  The Mannequin (1912)

“ A step at the door of the conservatory startled me. Philippe, of course. I felt thoroughly uncomfortable. What if he should accept my presence there as an unconditional surrender and consent to his plan of running away? I took a deep breath, and wheeled around to meet him. There, just lighting a cigarette, stood my husband!
For a moment I forgot that he did not know who I was, and I was on the verge of stammering out one of my own peculiar explanations which might better be lies; they are so ineffective and bad.
”
Source: Wikisource

Portrait of Anna Alice Chapin Anna Alice Chapin,  The Mannequin (1912)

“ I was endeavouring to bear myself in the image of madame, remembering the great honour which was mine for this one evening. A man—a—a gentleman, one would say, madame—came quickly up to me. I was standing in shadow, and he caught my hand. At first I was stunned with horror. I thought, of course, that some one had penetrated my disguise; some one who felt that he might dare to be familiar with Goujet's mannequin. ”
Source: Wikisource

Portrait of Anna Alice Chapin Anna Alice Chapin,  The Mannequin (1912)

“ I whispered. “I do not—understand—myself.”
“When a flower seems real,” he said, “sweet, and fresh, and utterly desirable and adorable, and a strong light shows it to be made of the cheapest paper, after all—what is it that one must do? Must one treasure the false blossom for very tenderness, or throw it away? Or must one merely close one's eyes, and dream the flower is real?”
It was me he spoke of; my poor little soul knew it. And I trembled into tears—tears which I did not care if he saw roll down from under the mask.
”
Source: Wikisource

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