Summary

Portrait of Anna Maria Porter Anna Maria Porter Don Sebastian; or, The house of the Braganza… (1809)

Ephra closed the dungeon door as he finished, leaving Sebastian to contemplate the probability of death on the morrow.
It was in vain that the young and ardent monarch strove to reconcile himself to a destiny so inglorious: to perish thus in obscurity among a handful of sordid Moors, without the means of conveying to his people, and his Gonsalva a last blessing, was a thought which drove him to phrenzy; he could not hope for the satisfaction of seeing Gaspar, nor was Kara Aziek to be near, soothing his parting pangs with respect and tenderness.
Source: Gutenberg

Portrait of Anna Maria Porter Anna Maria Porter Don Sebastian; or, The house of the Braganza… (1809)

Speak your wishes, and they shall be obeyed; if they be to fulfil your engagement with the Basha, I will myself conduct you to him; but if a friendship more sacred even than love—a gratitude exalted to adoration—every sentiment in short, except passion itself; if these may touch you—if you can condescend to accept a heart yet smarting with a former wound—a heart that shudders at love, yet where your image is worshipped and cherished—”
“O say no more!—no more, beloved Sebastian!”
Source: Gutenberg

Portrait of Anna Maria Porter Anna Maria Porter Don Sebastian; or, The house of the Braganza… (1809)

Sebastian was exalted to the extremest point of human felicity; happiness, lost happiness, he now clasped in the form of Kara Aziek, and enjoyed in the certainty of being able to confer it. “We part no more—we part no more!” he repeated.
Bewildered in a maze of delight, and merely conscious that the looks and voice of Sebastian breathed love like her own, Aziek forgot awhile every obstacle between them; her tears and sighs mingled with his, as she rested on his bosom with the sweet serenity of a pure heart, sure of loving and being beloved
Source: Gutenberg

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