Anne Douglas Sedgwick

Anne Douglas Sedgwick

Summary

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick The Little French Girl — Part 3… (1924)

It was cruel that a stranger, Lady Mary, should garner Maman's sheaves.
She saw now that Giles's large eyes were dwelling upon her from a distance; but they were not like the other eyes. They kept their look of thoughtfulness. He was not seeing her in the magic. He was only seeing her as herself. It would always be only oneself that Giles would see. From within her fountain of happiness she glimmered a little smile over to him—for Jerry was beside her saying that he was to take her in to dinner—and in Giles's answering smile she read something touched and gentle.
Source: Wikisource

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick The Little French Girl — Part 3… (1924)

Alix felt her sadness dispelled by a sweet stealing sense of excitement.
And now Lady Mary was again before her, looking older than she had remembered her—and that was perhaps because another woman, radiantly young, sat knitting by the fire—but showing the remembered bright softness, and she was drawing them both forward and saying to Giles: “Oh, but of course you must stay—oh, not only to tea; for the night. It's so far. It's so cold. It's so late. Indeed, you must.—Jerry will lend you everything.”
Source: Wikisource

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick The Little French Girl — Part 3… (1924)

It was as if she knew, for the first time in her life, an elation that Maman had often felt.
They were all in the drawing-room where tea was being laid, Jerry and Lady Mary and Mr. Hamble, and two young girls and a young man and an old-young man, who had evidently been dancing and who wished to seem much younger than he was.—“I will avoid dancing with him,” thought Alix. “He is too stout and he brushes his hair up over his head from behind so that it shall not be seen how bald he is.”—And the radiant lady was talking to Giles.
Source: Wikisource

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