Summary

Portrait of Anne O'Hagan Anne O'Hagan When McCready Turned Missionary (1903)

It was not a social lapse to be seen at Curate's. McCready's own gray-haired wife and his young dryad of a daughter had sat under his bristling protection, and had recognized only gaiety and glitter in the scene. But Miss Crystal had had no such chaperonage. Mr. Crawford Duncan could not be esteemed by even the most casual and innocent-eyed of observers, a well-chosen companion for a young woman. To McCready, who knew, as all the town did, his standing as a roué of parts, a libertine of attractions even more potent than his reputation, the sight had been painful.
Source: Wikisource

Portrait of Anne O'Hagan Anne O'Hagan When McCready Turned Missionary (1903)

McCready had given her as a guide, but entirely to her own situation.
Should she, or should she not? Life was dull, work was monotonous, she was unutterably lonely now that there was no longer a home, either the home of her old affections or the home of the dreams she had once dreamed, to give her a sense of companionship and love. Her eyes grew hard as she surveyed the flying landscape, and the red line of her lips spelt bitterness.
It is not good to sneer at one's past when one plans one's future.
Source: Wikisource

Portrait of Anne O'Hagan Anne O'Hagan When McCready Turned Missionary (1903)

She had an insane sense of revenging herself upon Owen Bromley when she made this resolve. She would flirt, she would extract the utmost of mirth from each moment as it came. Hitherto, she had always rather held aloof from the noisy gaiety, the hail-fellow-well-met intimacies of the office. But, for the future, these—anything, everything! To-day it was Crawford Duncan who offered her excitement, comradeship of a sort—love, he would call it, as soon as she gave him the chance to speak! Well, she would take it all!
Source: Wikisource

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