Anne O'Hagan

Anne O'Hagan

Summary

Portrait of Anne O'Hagan Anne O'Hagan The Chivalry of David Henley (1905)

They breathed the awe, the mystery, the beauty of love, working in the heavy soul of John Blount, melting with sudden divine heat the icy pride of Frances. Henley's words to her, Jessica, never thrilled her as the words he put into the mouth of his hero; her own love for him had taught her all she knew of ecstasy and pain, of instinctive rapture and despair. With her, love had not been the response to demand in him, but was itself the torch of fire.
Source: Wikisource

Portrait of Anne O'Hagan Anne O'Hagan The Chivalry of David Henley (1905)

But the demand that each woman's virginal soul makes of one man in the world—the demand of all or nothing—swelled to anguish in Jessica. So long as she could persuade herself that she possessed all he had to give, she could force herself to a certain semblance of content. Now, sure with the irrefrangible surety of instinct, that another woman had caused the blossoming of the flower in his heart, that its perfume exhaled toward her, Jessica wanted nothing of him.
Source: Wikisource

Portrait of Anne O'Hagan Anne O'Hagan The Chivalry of David Henley (1905)

For a month after his visit to Boston Henley's book had lagged and dragged in a way maddening to her intense energy.
“You know that I can't help it, Jessica,” he had pleaded, when at meeting after meeting her despairing eyes had accused him of the old indifference and languor. “I can't, indeed. I've come to the love, and I'm a duffer at love-scenes. When the novelists are properly unionized, I sha'n't have to do them; there'll be a beautiful subdivision of labor; a love-scene man will no more attempt a Wall Street panic, or vice versa, than a carpenter would attempt a glazier's job now.
Source: Wikisource

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