Annie Vivanti

Annie Vivanti

Summary

Portrait of Annie Vivanti Annie Vivanti The Outrage

There in the vicar's leather armchair, with the vicar's favourite collie curled at her feet, sat Mireille; her soft hair parted in the middle and tied with a blue ribbon by Mrs. Yule; a gold bangle, given her by Lilian, on her slim wrist. With a cry of joy and gratitude Louise knelt before her, kissing the soft chill hands, the silent mouth, the eyes that did not recognize her.
"Mireille, Mireille! Can you not say a word to me? Not a word? Say, 'Welcome, mother!' Say it, darling! Say, 'Maman, bonjour.'"
But the child's lips remained closed; the singing fountain of her voice was sealed.
Source: Gutenberg

Portrait of Annie Vivanti Annie Vivanti The Outrage

Her hatred was as much a primitive ingenerate instinct, as was the passionate maternal love an essence of the soul of Chérie.
"She hates us, Nurse Elliot, she hates us," asseverated Chérie, pressing her clasped hands to her breast in a pitiful gesture of despair. "Sometimes if for a moment I forget how miserable I am, and I lift the little one up in my arms, and laugh at him and caress him, suddenly I feel Louise's eyes fixed upon us, cold, hostile, implacable. Yes. She hates us! And I suppose every one will hate us. Every one will turn from the child and from me in loathing and disgust.
Source: Gutenberg

Portrait of Annie Vivanti Annie Vivanti The Outrage

Florian! Florian! Where are you? Are you dead, too? Is this sense of annihilation, of unreality in me but an omen, a warning of your real death? My brave young lover, blue-eyed and gay, have you gone from life? If I wander through all the world, if I journey to the ends of the earth, shall I never meet you again?
Oh God! I wish we were all safely dead, Louise and I and poor little Mireille; all lying silent and at peace, with closed eyes and quiet folded hands. I often think how good it would be if we could all three escape from life, as we escaped from the foe-haunted wood that night
Source: Gutenberg

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