Summary

Anonymous,  Two Poems Against Pope

“ Faced with the nasty fact that if one wrote well enough, there was a public to support one, they could only accuse Pope monotonously of venality and avarice.
In all of this there is a strong element of class antagonism. The Dunces were middle-class and Whiggish, their spirit capitalist. Pope, though middle-class by birth, was aristocratic in his sympathies, Tory in a loose sense, and firmly anti-Walpole. Perhaps verse satire is essentially aristocratic. Perhaps wit is, too. Certainly they never seem at home in a middle-class society. Wit comes to savor of indecency and blasphemy
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Source: Gutenberg

Anonymous,  Two Poems Against Pope

“ We have again learned to read satire as something quite other than an expression of personal malice and misanthropy. What the present pamphlets amply testify to is that most of the Dunces were no more able to read satire properly than were Pope’s nineteenth-century critics. They were, as Pope quite properly kept pointing out, very bad writers and very dull men. ”
Source: Gutenberg

Anonymous,  Two Poems Against Pope

“ Malice with Envy in thy Breast combines,
And in thy Visage grav’d those ghastly Lines.
Like Plagues, like Death thy ranc’rous Arrows fly,
At Good and Bad, at Friend and Enemy.
To thy own Breast recoils the erring Dart,
Corrupts thy Blood, and rankles in thy Heart.
There swell the Poisons which thy Breast distend,
And with the Load thy Mountain Shoulders bend.
Horrid to view! retire from human Sight,
Nor with thy Figure pregnant Dames affright.
Crawl thro’ thy childish Grot, growl round thy Grove,
A Foe to Man, an Antidote to Love.
”
Source: Gutenberg

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