Summary

Portrait of Anthony Hope Anthony Hope Love's Logic and Other Stories… (1908)

She looked up, saw him, and knew that her exclamation had been overheard.
"What in the world is the matter?" he asked in a tone of cold surprise.
It was very absurd—she couldn't stop crying; and from amid her weeping nothing more reasonable, nothing more adequate, nothing less trivial would come than confused murmurs of "My frock, Harold!" "My parasol!" "Oh, my face, my gloves!" He smiled contemptuously. "Don't you see?" she exclaimed, exhibiting the gloves and parasol.
Source: Wikisource

Portrait of Anthony Hope Anthony Hope Love's Logic and Other Stories… (1908)

Married couples, even though they have only a precarious four hundred a year, must live somewhere—no idealism is independent of a roof; on the contrary, it centers round the home, so Harold said, and the word "home" seemed already sacred to Winifred as her glance answered his. It was the happiest day of her life when she put on her dainty new costume of delicate gray, took her parasol and gloves, matched to a shade with her gown, and mounted into the smart dog-cart which Jennie, the new chestnut mare, was to draw to the station.
Source: Wikisource

Portrait of Anthony Hope Anthony Hope Love's Logic and Other Stories… (1908)

Petheram was a quiet body, the two girls in the school-room were no serious matter; in fact, apart from the horses, Mildred and Winifred were, in a pecuniary point of view, the most serious burden on the family purse. For both were pretty girls, gay and fond of society, given to paying frequent visits in town and country, and in consequence needing many frocks and a considerable supply of downright hard cash. But everybody was very comfortable; only it was understood that at a period generally referred to as "some day" there would be very little for anybody except the eldest son.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature