Summary

Portrait of Anton Chekhov Anton Chekhov The Lady with the Dog and Other Stories… (1917)

Not only her face but her whole figure was expressive of beatitude ... The tax-collector could endure it no longer; he felt a desire to jeer at that beatitude, to make Anna Pavlovna feel that she had forgotten herself, that life was by no means so delightful as she fancied now in her excitement...
"You wait; I'll teach you to smile so blissfully," he muttered. "You are not a boarding-school miss, you are not a girl. An old fright ought to realise she is a fright!"
Source: Wikisource

Portrait of Anton Chekhov Anton Chekhov The Lady with the Dog and Other Stories… (1917)

Anna Pavlovna was so lost in the dance that she did not once glance at her husband.
"Of course not! Where do we poor country bumpkins come in!" sneered the tax-collector.
"We are at a discount now... We're clumsy seals, unpolished provincial bears, and she's the queen of the ball! She has kept enough of her looks to please even officers... They'd not object to making love to her, I dare say!"
During the mazurka the tax-collector's face twitched with spite. A black-haired officer with prominent eyes and Tartar cheekbones danced the mazurka with Anna Pavlovna.
Source: Wikisource

Portrait of Anton Chekhov Anton Chekhov The Lady with the Dog and Other Stories… (1917)

Assuming a stern expression, he worked his legs with gravity and feeling, and so crooked his knees that he looked like a jack-a-dandy pulled by strings, while Anna Pavlovna, pale and thrilled, bending her figure languidly and turning her eyes up, tried to look as though she scarcely touched the floor, and evidently felt herself that she was not on earth, not at the local club, but somewhere far, far away — in the clouds.
Source: Wikisource

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