Anna Pavlovna

Definition and stakes

Portrait of Anton Chekhov Anton Chekhov The Lady with the Dog and Other Stories… (1917)

Assuming a stern expression, he worked his legs with gravity and feeling, and so crooked his knees that he looked like a jack-a-dandy pulled by strings, while Anna Pavlovna, pale and thrilled, bending her figure languidly and turning her eyes up, tried to look as though she scarcely touched the floor, and evidently felt herself that she was not on earth, not at the local club, but somewhere far, far away — in the clouds.
Source: Wikisource

Portrait of Anton Chekhov Anton Chekhov The Lady with the Dog and Other Stories… (1917)

Not only her face but her whole figure was expressive of beatitude ... The tax-collector could endure it no longer; he felt a desire to jeer at that beatitude, to make Anna Pavlovna feel that she had forgotten herself, that life was by no means so delightful as she fancied now in her excitement...
"You wait; I'll teach you to smile so blissfully," he muttered. "You are not a boarding-school miss, you are not a girl. An old fright ought to realise she is a fright!"
Source: Wikisource

Portrait of Ivan Sergeevich Turgenev Ivan Sergeevich Turgenev Liza; Or, "A Nest of Nobles"

It happened that among Anna Pavlovna's maids there was a very pretty girl named Malania. Intelligent and modest, with calm, sweet eyes, and finely-cut features, she pleased Ivan Petrovich from the very first, and he soon fell in love with her. He loved her timid gait, her modest replies, her gentle voice, her quiet smile. Every day she seemed to him more attractive than before. And she attached herself to Ivan Petrovich with the whole strength of her soul—as only Russian girls know how to devote themselves—and gave herself to him. In a country house no secret can be preserved long
Source: Gutenberg

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