Summary

Portrait of Arthur Conan Doyle Arthur Conan Doyle The Last Galley — The Terror of Blue John Gap (1911)

In the blaze of the gun I caught a glimpse of a great shaggy mass, something with rough and bristling hair of a withered grey colour, fading away to white in its lower parts, the huge body supported upon short, thick, curving legs. I had just that glance, and then I heard the rattle of the stones as the creature tore down into its burrow. In an instant, with a triumphant revulsion of feeling, I had cast my fears to the wind, and uncovering my powerful lantern, with my rifle in my hand, I sprang down from my rock and rushed after the monster down the old Roman shaft.
Source: Wikisource

Portrait of Arthur Conan Doyle Arthur Conan Doyle The Last Galley — The Terror of Blue John Gap (1911)

Just opposite me is the steep hillside, grey with shaly rock, and yonder on its flank is the dark cleft which marks the opening of the Blue John Gap. But it is no longer a source of terror. Never again through that ill-omened tunnel shall any strange shape flit out into the world of men. The educated and the scientific, the Dr. Johnsons and the like, may smile at my narrative, but the poorer folk of the countryside had never a doubt as to its truth. On the day after my recovering consciousness they assembled in their hundreds round the Blue John Gap.
Source: Wikisource

Portrait of Arthur Conan Doyle Arthur Conan Doyle The Last Galley — The Terror of Blue John Gap (1911)

It is a most lonely spot, and the walks are picturesque in the extreme. The farm consists of grazing land lying at the bottom of an irregular valley. On each side are the fantastic limestone hills, formed of rock so soft that you can break it away with your hands. All this country is hollow. Could you strike it with some gigantic hammer it would boom like a drum, or possibly cave in altogether and expose some huge subterranean sea. A great sea there must surely be, for on all sides the streams run into the mountain itself, never to reappear.
Source: Wikisource

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