Arthur Stringer

Arthur Stringer

Twin Tales (1921)

Summary

Portrait of Arthur Stringer Arthur Stringer,  Twin Tales (1921)

“ And her new environment, as she stared about the high-ceilinged studio, seemed to stand as bald as that denuded Chesterfield had stood, as destitute of padded graces and relieving softnesses, an empty and ugly skeleton, a thing of obtruding bones quite barren of comfort.
It accordingly relieved Teddie not a little, when Mr. William Shotwell arrived, to find him quite urbane and fatherly, although he did seem to survey her somewhat bald-looking studio with a momentary frown of perplexity.
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Source: Wikisource

Portrait of Arthur Stringer Arthur Stringer,  Twin Tales (1921)

“ But Teddie had no intention of waiting. She withered him with one short look of revulsion, of utter repudiation, wheeled about, and strode out of the office.
She went, leaving behind her a blue-fox canteen muff and a much bluer young attorney who for quite a number of minutes stood staring morose and motionless out over the East River. He contemplated that wharf-fringed waterway very much as though he should like to take a header down into it. Then, as he slowly and dejectedly turned about, his eye fell on the forgotten muff.
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Source: Wikisource

Portrait of Arthur Stringer Arthur Stringer,  Twin Tales (1921)

“ And it was at that precise moment that Gunboat Dorgan stepped into the room.
Teddie's persecutor, with one quick glance over his shoulder, saw the intruder. He saw the younger man in the natty high-belted sophomoric-looking suit that gave him the beguiling air of a stripling, saw him standing there, studiously arrested, appraisingly alert, with anticipation as sweet to his palate as a chocolate-drop is sweet to the tongue of a street urchin.
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Source: Wikisource

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