Jack London

Jack London

The Game (1905)

Summary

Portrait of Jack London Jack London,  The Game (1905)

“ The house was on its feet, shouting, to a man. Genevieve could hear men crying, "He's got 'm, he's got 'm!" and it seemed to her the beginning of the end. She, too, was out of herself; softness and tenderness had vanished; she exulted with each crushing blow her lover delivered.
But Ponta's vitality was yet to be reckoned with. As, like a tiger, he had followed Joe up, Joe now followed him up. He made another half swing, half hook, for Ponta's jaw, and Ponta, already recovering his wits and strength, ducked cleanly.
”
Source: Wikisource

Portrait of Jack London Jack London,  The Game (1905)

“ He smiled as he faced the audience, when the announcer, placing a hand on his shoulder, said: "Joe Fleming, the Pride of West Oakland."
Cheers and hand-clappings stormed up, and she heard affectionate cries of "Oh, you, Joe!" Men shouted it at him again and again.
He walked back to his corner. Never to her did he seem less a fighter than then. His eyes were too mild; there was not a spark of the beast in them, nor in his face, while his body seemed too fragile, what of its fairness and smoothness, and his face too boyish and sweet-tempered and intelligent.
”
Source: Wikisource

Portrait of Jack London Jack London,  The Game (1905)

“ He was beginning to see, though vaguely, the sharp conflict between woman and career, between a man's work in the world and woman's need of the man. But he was not capable of generalization. He saw only the antagonism between the concrete, flesh- and-blood Genevieve and the great, abstract, living Game. Each resented the other, each claimed him; he was torn with the strife, and yet drifted helpless on the currents of their contention.
His words had drawn Genevieve's gaze to his face, and she had pleasured in the clear skin, the clear eyes, the cheek soft and smooth as a girl's.
”
Source: Wikisource

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