B. M. Croker

"To let" (1906)

Summary

B. M. Croker "To let" (1906)

One hot April evening, as Kareem squatted idly at the serai entrance, enjoying a huka and a “bukk” with a lad of his own age, he noticed a cloud of white dust whirling down the bridge. No—it was not driven by the wind, but caused by a wild runaway. In a second he had recognized the collector’s little boy, on his chestnut pony, racing towards him at break-neck pace—a huge lumbering camel carriage had frightened the overfed, pampered Tattoo, and he was making for home at a mad gallop. Kareem stood up, and dashed into the road; he was lithe and active as a hunting leopard.
Source: Gutenberg

B. M. Croker "To let" (1906)

I saw Mellish clinging to the saloon hand-rail, his eyes glazed with horror, and gibbering like an idiot.
The crash of broken crockery, the shrieks of despair, the roaring of the wind, the sullen thundering of the seas overhead, combined to make up the most frightful scene that could possibly be imagined.
Then all at once, a beautiful girl, with long dark hair, streaming over a white gown, rushed out of a cabin, and threw herself upon me, flinging her arms round my neck; she sobbed—
“Oh, save me—save me! Don’t let me die—don’t let me die!”
Source: Gutenberg

B. M. Croker "To let" (1906)

She is orderly, trim, feverishly energetic, and seems to live every moment of her life. Her children, her wardrobe, her house, her servants, and last, not least, her husband, are all models in their way; and yet she has plenty of time for tennis, and dancing, and talking and walking. She is, undoubtedly, a remarkably talented little creature, and especially prides herself on her nerve, and her power of will, or will power. I suppose they are the same thing? and I am sure they are all the same to Tom, who worships the sole of her small slipper.
Source: Gutenberg

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