Beatrice M. Mekota and Francis Haffkine Snow, ../../ (1917)
“ For the tragedy of Bohemia, which has given a minor strain to the song and the lay of its gifted children alike, has been the national tragedy laid bare in The Four Bare Walls,—the rebellion and hopeless struggle of a small Slavic nation, distinctly different in its sentiments, its language and national characteristics from the Austro-Germans who have governed and for three centuries oppressed it, fighting a fight unto death against the iron heel which has tried to denationalize a people through repeated attempts to wrest from them their native language. ”
