Booth Tarkington

Booth Tarkington

Summary

Portrait of Booth Tarkington Booth Tarkington The Red Book Magazine, Volume 41… (1923)

It suggested nothing as to his hair or the use of the brushes,
“My goodness!” he murmured, and turning to the window nearest him, began to stare fixedly at Muriel's house across the street. Closed cars in a high state of polish stood at the curb; a gay awning, in spite of the fair day, gave shelter all the way between curb and front door; jars of flowers were hinted in the lower windows; small groups of people, mainly colored people, waited cheerily along the sidewalk: and everywhere an intimation of festival was in the air. Evidently this was a Wedding Day for somebody.
Source: Wikisource

Portrait of Booth Tarkington Booth Tarkington The Red Book Magazine, Volume 41… (1923)

Here is indeed a wrong that needs righting. Our country has great leagues and societies—new ones are formed hourly—for the reform of every wrong and right thing under heaven; and yet we have no organization (at least, no national one) with the animating purpose of placing the wedding-veil where it properly belongs. Renfrew might have felt better, and might more sensibly have conducted himself this morning, if he had known that he was to pass through the approaching crisis under a veil—preferably one of opaque material.
Source: Wikisource

Portrait of Booth Tarkington Booth Tarkington The Red Book Magazine, Volume 41… (1923)

Do you want this whole town to think you're afraid to marry Muriel?”
“What?”
“It looks like it,” the Best Man said severely. “When a man steps out to marry a girl, and a large and intelligent audience observes that he's shaking like an invalid in a blizzard, the natural conclusion is that he's afraid of the bride.”
“What?” Renfrew cried. “Why, you know, yourself, I tried for months and months to persuade Muriel to be engaged to me. Everybody in town knows it.
Source: Wikisource

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