Burton Egbert Stevenson

Burton Egbert Stevenson

Summary

Portrait of Burton Egbert Stevenson Burton Egbert Stevenson The Charm of Ireland

Beyond the Curragh, the train rumbles over a wide bog, which trembles uneasily beneath it, and the black turf-cuttings stretch away as far as the eye can see; and then the Hill of Allen looms up against the horizon, where the Kings of Leinster dwelt in the old days, and the fields grow greener than ever, but for miles and miles there is not a single house.
And this is the sad part of it; for this fertile land, as rich as any in the world, supports only flocks and herds, instead of the men and women and children who once peopled it.
Source: Gutenberg

Portrait of Burton Egbert Stevenson Burton Egbert Stevenson The Charm of Ireland

Here the gorse began, mounting the hillsides in a riot of golden bloom, only to be met and vanquished on the highest slopes by the low, closely-growing heather, brown with last year's withered flowers, but soon to veil the hilltops in a cloud of purple. But the gorse was in its glory—every hedge, every fence, every wall, every neglected corner was ablaze with it; it outlined every field; the road we travelled was a royal way, bordered on either side with gold. "Unprofitably gay?" Betty hotly disputed it. For how could such beauty be unprofitable?
Source: Gutenberg

Portrait of Burton Egbert Stevenson Burton Egbert Stevenson The Charm of Ireland

Beyond the Junction, one gets from the train a splendid view of the picturesque Galtees, the highest mountains in the south of Ireland, fissured and gullied and folded into deep ravines in the most romantic way.
The train had been comparatively empty thus far, and we had rejoiced in a compartment to ourselves; but as we drew into the station at Charleville, we were astonished to see a perfect mob of people crowding the platform, with more coming up every minute. The instant the train stopped, the mob snatched open the doors and swept into it like a tidal wave.
Source: Gutenberg

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