Summary

Captain F. Brinkley Japan: Its History, Arts, and Literature… (1902)

Yet Japanese archæologists speak of the art of metal casting as having been acquired from Korea in the first century before the Christian era, and even record the names of two Korean experts—Mai Jun and Sho Toku-haku—who came to Japan to teach the process. In other words, they represent the first exercise of the art as having taken place six or seven hundred years after its products had come into actual use.
Source: Wikisource

Captain F. Brinkley Japan: Its History, Arts, and Literature… (1902)

M. Gonse also makes Kinai of Yechizen a contemporary of Nobuiye, and puts them both at the end of the sixteenth century. But Nobuiye flourished in the first part of that century, and the great Kinai in the second half of the seventeenth. These comments are made simply in the interests of accuracy, and not with any intention of criticising an author whose knowledge, considering the circumstances under which it was acquired, must be pronounced remarkable, and who has brought so much light to bear on every branch of Japanese art.
Source: Wikisource

Captain F. Brinkley Japan: Its History, Arts, and Literature… (1902)

Note 41.—The meagre nature of the information contained in Japanese records with regard to the Kinai experts is remarkable. They are spoken of merely as "Kinai," neither their family names nor their dates being given. The writer of these notes caused special investigations to be made in Yechizen, and found that the first Kinai was called Ishikawa, the second Takahashi, and that the family was a branch of the Miyōchin. The tomb of Ishikawa Kinai shows that he died in 1680, and that of Takahashi Kinai, that he died in 1696.
Source: Wikisource

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