Carl Ewald

Carl Ewald

Summary

Portrait of Carl Ewald Carl Ewald,  The Old Room

“ Cordt pulled his chair forward and sat with his head in his hands and looked into the fire:
“If I were a poet, I would sing a song in honour of sacred custom,” he said.
“Would you, Cordt?”
“Yes, yes ... that I would.”
He laid his head back and listened to the gale whistling in the chimney:
“Now just look, Adelheid, at two people thrown into each other’s arms by the strongest power on earth. For them there exists neither day nor night, neither time nor place. The whole earth is fragrant with violets. Their joy is terror and their terror is full of exultant gladness.
”
Source: Gutenberg

Portrait of Carl Ewald Carl Ewald,  The Old Room

“ CORDT
CHAPTER I THE room looks out upon the square, which is so big and so fashionable that there is no business done in it.
By day there is a sound of carriages, but at a distance; for the house that contains the room is thrust a long way back and its walls are as thick as the walls of a castle. In the evening, the square shines with a thousand lights; at night, you can hear the rippling of the fountain, which never begins and never stops, cries, no one knowing what they are, and solitary steps that approach and retreat again.
”
Source: Gutenberg

Portrait of Carl Ewald Carl Ewald,  The Old Room

“ Cordt did not look at her. He stood with his hands folded about his neck and with strangely distant eyes:
“You have said it, Adelheid ... it is as you say ... there is something now that is a thousand times greater than what parted us then. We mortals always think, when misfortunes come, that no more will come now ... that it must be over now. And so there is no difference between the child with its lost doll and the man with his dead love ... none except time, which comes and goes, comes and goes, puts out a light and kindles a pyre and puts out the pyre also.”
”
Source: Gutenberg

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