Carl Van Vechten

Carl Van Vechten

Summary

Portrait of Carl Van Vechten Carl Van Vechten The Tattooed Countess (1924)

Consideration of this naïve duplicity on the part of the Countess brought a smile to his lips. No advances, however, must come from him. She must decide in her own way, in her own time, what to do, and how to do it. One false move and the structure he had erected with so much careful appearance of inappetency might totter and crumble. She might find him too eager, too lacking in the essential innocence she seemed to crave. Without any more actual experience with women than that which his relationships with Clara Barnes and Lennie Colman had afforded him, his instinct taught him this.
Source: Wikisource

Portrait of Carl Van Vechten Carl Van Vechten The Tattooed Countess (1924)

O! your sister! I shall pray for her! A fallen woman! Perhaps a Magdalene! A papist! I shall ask Brother Eldridge to pray for the Countess.
Mrs. Baker! Be careful! Do you know what you are saying? My sister is not a fallen woman.
The visitor rose, gathered her reticule and tracts firmly in her long bony fingers, and prepared to depart.
I have been crowned with thorns, she whined, crowned with thorns, like our dear Lord!
Then, as Lou firmly pressed her towards the door, turning, just before she made her exit, she shot out: Sodom and Gomorrah, your day will come!
Source: Wikisource

Portrait of Carl Van Vechten Carl Van Vechten The Tattooed Countess (1924)

For a stronger emotion controlled him: the consciousness that the more his father suffered, the more content he himself would be. He wanted his father to suffer; he wanted him to suffer as much as they had suffered—his mother and he—through him. So Gareth made no move, said not a word, and his father did not immediately speak again. The clock ticked on, while Gareth returned to his position by the window. The trees were bright green in the sunlight of the morning. Birds hopped from branch to branch. Life everywhere, and yet his mother had to die.
Source: Wikisource

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