Carl Van Vechten,
The Tattooed Countess
(1924)
“ Consideration of this naïve duplicity on the part of the Countess brought a smile to his lips. No advances, however, must come from him. She must decide in her own way, in her own time, what to do, and how to do it. One false move and the structure he had erected with so much careful appearance of inappetency might totter and crumble. She might find him too eager, too lacking in the essential innocence she seemed to crave. Without any more actual experience with women than that which his relationships with Clara Barnes and Lennie Colman had afforded him, his instinct taught him this. ”

