Summary

Portrait of Charles Dickens Charles Dickens Bleak House — Chapter II: In Fashion (1852)

Therefore my Lady Dedlock has come away from the place in Lincolnshire and has left it to the rain, and the crows, and the rabbits, and the deer, and the partridges and pheasants. The pictures of the Dedlocks past and gone have seemed to vanish into the damp walls in mere lowness of spirits, as the housekeeper has passed along the old rooms shutting up the shutters. And when they will next come forth again, the fashionable intelligence—which, like the fiend, is omniscient of the past and present, but not the future—cannot yet undertake to say.
Source: Wikisource

Portrait of Charles Dickens Charles Dickens Bleak House — Chapter II: In Fashion (1852)

Indeed, he married her for love. A whisper still goes about that she had not even family; howbeit, Sir Leicester had so much family that perhaps he had enough and could dispense with any more. But she had beauty, pride, ambition, insolent resolve, and sense enough to portion out a legion of fine ladies. Wealth and station, added to these, soon floated her upward, and for years now my Lady Dedlock has been at the centre of the fashionable intelligence and at the top of the fashionable tree.
Source: Wikisource

Portrait of Charles Dickens Charles Dickens Bleak House — Chapter II: In Fashion (1852)

The weather for many a day and night has been so wet that the trees seem wet through, and the soft loppings and prunings of the woodman’s axe can make no crash or crackle as they fall. The deer, looking soaked, leave quagmires where they pass. The shot of a rifle loses its sharpness in the moist air, and its smoke moves in a tardy little cloud towards the green rise, coppice-topped, that makes a background for the falling rain. The view from my Lady Dedlock’s own windows is alternately a lead-coloured view and a view in Indian ink.
Source: Wikisource

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