Summary

Portrait of Charles Dickens Charles Dickens Oliver Twist, Vol. 1 (of 3)

Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he was will be at no loss to understand. An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him every time his eyes wandered in the direction of the dismal object, from which he almost expected to see some frightful form slowly rear its head to drive him mad with terror.
Source: Gutenberg

Portrait of Charles Dickens Charles Dickens Oliver Twist, Vol. 1 (of 3)

Mann, ma’am, good morning!”
“Well, and good morning to you, sir,” replied Mrs. Mann, with many smiles; “and hoping you find yourself well, sir?”
“So-so, Mrs. Mann,” replied the beadle. “A porochial life is not a bed of roses, Mrs. Mann.”
“Ah, that it isn’t indeed, Mr. Bumble,” rejoined the lady. And all the infant paupers might have chorused the rejoinder with great propriety if they had heard it.
“A porochial life, ma’am,” continued Mr. Bumble, striking the table with his cane, “is a life of worry, and vexation, and hardihood; but all public characters, as I may say, must suffer prosecution.”
Source: Gutenberg

Portrait of Charles Dickens Charles Dickens Oliver Twist, Vol. 1 (of 3)

For a week after the commission of the impious and profane offence of asking for more, Oliver remained a close prisoner in the dark and solitary room to which he had been consigned by the wisdom and mercy of the board. It appears, at first sight, not unreasonable to suppose, that, if he had entertained a becoming feeling of respect for the prediction of the gentleman in the white waistcoat, he would have established that sage individual’s prophetic character, once and for ever, by tying one end of his pocket handkerchief to a hook in the wall, and attaching himself to the other.
Source: Gutenberg

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