Summary

Portrait of Charles Dickens Charles Dickens Oliver Twist; or, The Parish Boy's Progress…

She gave way to such great grief, that Oliver, suppressing his own emotion, ventured to remonstrate with her; and to beg, earnestly, that, for the sake of the dear young lady herself, she would be more calm.
‘And consider, ma’am,’ said Oliver, as the tears forced themselves into his eyes, despite of his efforts to the contrary. ‘Oh! consider how young and good she is, and what pleasure and comfort she gives to all about her. I am sure—certain—quite certain—that, for your sake, who are so good yourself; and for her own; and for the sake of all she makes so happy; she will not die.
Source: Gutenberg

Portrait of Charles Dickens Charles Dickens Oliver Twist; or, The Parish Boy's Progress…

Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand. An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.
Source: Gutenberg

Portrait of Charles Dickens Charles Dickens Oliver Twist; or, The Parish Boy's Progress…

On Rose, sweet, gentle girl! my heart is set, as firmly as ever heart of man was set on woman. I have no thought, no view, no hope in life, beyond her; and if you oppose me in this great stake, you take my peace and happiness in your hands, and cast them to the wind. Mother, think better of this, and of me, and do not disregard the happiness of which you seem to think so little.’
‘Harry,’ said Mrs. Maylie, ‘it is because I think so much of warm and sensitive hearts, that I would spare them from being wounded.
Source: Gutenberg

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