Charles E. Fritch

Charles E. Fritch

Summary

Portrait of Charles E. Fritch Charles E. Fritch Breathes there a man (1953)

The park was a mass of tree and shadow, indistinguishable. Softly, he called, "Julie." No answer. "Julie."
A gentle movement, and someone disengaged from the shadows, glided to him. Someone soft and warm—and feminine. He could smell the elusive taint of her perfume even before she entered his arms.
"You're late," she said.
"I was detained."
She looked sharply at him. "Trouble?"
"I—I don't know. A robot surprised me. He took my picture."
"A robot!" she said in alarm, drawing away from him. "They probably already know who you are. Were you followed?"
Source: Gutenberg

Portrait of Charles E. Fritch Charles E. Fritch Breathes there a man (1953)

A government official's benign face appeared on the television screen to announce the Super State program. The World Flag materialized, waving in a studio-inspired breeze, and a chorus chanted: "Super State, Super State, Simply great is Super Sta-a-ate!"
"Sixty minutes of uninterrupted commercial," Arthur Dunlop thought with distaste. Plays and songs subtly presented to show that contemporary living was equivalent to a golden age. He was careful, however, not to let his face reveal his mind's opinion.
"The airtax man will be around to read the meter tonight," Helen reminded him.
Source: Gutenberg

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