Henry Farrell

Henry Farrell

Summary

Portrait of Henry Farrell Henry Farrell You can't scare me! (1947)

The city, in this quiet, pausing moment, just before the noon rush, seemed almost too serene. In the mid-day sun, the usually busy intersection had become almost unnaturally still. Perhaps it was this stillness that made the scream appear so dreadfully shrill.
It was a scream that, like a certain cough medicine, came with a three-way action—ear-splitting, hair-raising and nerve-wracking. Marc stopped short, and spun quickly around to discover the source of this dismaying performance. What met the eye didn't match up at all.
Source: Gutenberg

Portrait of Henry Farrell Henry Farrell You can't scare me! (1947)

Unceremoniously, he took her by the arm and rushed her down the length of the steps to a taxi that was luckily standing idle in the hospital drive. As they approached it, an aged head, looking not unlike a mildewed melon, jutted from the driver's window, and two faded eyes widened with surprise. From wrinkled lips, a thin whistle sounded feebly into the dimming day.
"That's what I like about this world," Toffee said, getting into the cab. "Everyone seems so happy. At least the men do. They're always whistling."
"Oh, I remember this place," Toffee said, as Marc opened the door to the agency.
Source: Gutenberg

Portrait of Henry Farrell Henry Farrell You can't scare me! (1947)

The slam of the door put a very definite end to the discussion.
Marc and Toffee stared dumbly at each other as the angry tap of Julie's heels, retreating through the outer office, and down the stairs, sounded dimly back to them through the closed door. Toffee dropped limply into an upholstered chair and drew her feet up under her.
"I just can't understand it," she said contentedly. "I just can't understand how your mind could be so dull when your life is so exciting."
"Oh, my life is a perfect scream," Marc smoldered. "Only I save up the good parts for when you're around to enjoy them.
Source: Gutenberg

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