Charles L. Marson

Summary

Charles L. Marson Hugh, Bishop of Lincoln

The foundation is the body, the wall man, the roof the spirit, the division of the Church threefold. The body possesses the earth, man the clouds, the spirit the stars. The white and carved stone means the chaste and wise; the whiteness is modesty, the carving dogma. By the effigy of marble, smooth, shining, dark, the bride is figured, guileless, well conducted, working. The smoothness very rightly means guilelessness, the splendour good conduct, the blackness work. The noble cohort of the clergy lightening the world with light divine is expressed by the clear windows.
Source: Gutenberg

Charles L. Marson Hugh, Bishop of Lincoln

He found the good man away; so he said Mass and went on, and at last got home to tell them at Lincoln that all was peace. His progress was a triumph of delighted crowds, for the hearts of his people had been with him in all the struggle thus safely ended, and the sea of people shouted, “Blessed is he that cometh in the name of the Lord,” as their father rode towards his cathedral town. The commons evidently felt that the liberties of the church were the outworks of the liberties of the land.
But the god of victory is a maimed god, and the battles of the world irked Hugh’s contemplative soul.
Source: Gutenberg

Charles L. Marson Hugh, Bishop of Lincoln

We cherish a good deal of romance about the age in which St. Hugh lived. It is the age of fair Rosamond, of Crusades, of lion-hearted King Richard, and of Robin Hood. It is more soberly an age of builders, of reformers, of scholars, and of poets. If troubadours did not exactly “touch guitars,” at least songsters tackled verse-making and helped to refine the table manners of barons and retainers by singing at dinner time.
Source: Gutenberg

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