Charles Neville Buck

Summary

Charles Neville Buck The Call of the Cumberlands

It was, in a way, a form of mind-reading, for Samson's brush was the tongue of his soul.
The girl's eyes grew thoughtful, as she saw that he still drew the leering, saturnine face of Jim Asberry. He had not outgrown hate, then? But she said nothing, until he brought out and set on an easel her own portrait. For a moment, she gasped with sheer delight for the colorful mastery of the technique, and she would have been hard to please had she not been delighted with the conception of herself mirrored in the canvas. It was a face through which the soul showed, and the soul was strong and flawless.
Source: Gutenberg

Charles Neville Buck The Call of the Cumberlands

In Samson, born to be the fighting man, reared to be the fighting man, equipped by nature with deep hatreds and tigerish courage, there had cropped out from time to time the restless spirit of the philosopher and a hunger for knowledge. That was a matter in which the old man found his bitterest and most secret apprehension.
It was at this house that George Lescott, distinguished landscape painter of New York and the world-at-large, arrived in the twilight.
Source: Gutenberg

Charles Neville Buck The Call of the Cumberlands

The smile died from horizon to horizon, and for days cold rains beat and lashed the forests. And, toward the end of that month, came the day which Samson had set for his departure. He had harvested the corn, and put the farm in order. He had packed into his battered saddlebags what things were to go with him into his new life. The sun had set in a sickly bank of murky, red-lined clouds. His mule, which knew the road, and could make a night trip, stood saddled by the stile. A kinsman was to lead it back from Hixon when Samson had gone.
Source: Gutenberg

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