Charles Neville Buck

Summary

Charles Neville Buck,  The Tempering

“ A massive silver photograph frame lay face downward on the table as though it had been inadvertently over-turned.
Now with a sudden gesture Boone picked it up and held it in his hand a moment. His eyes centred their blazing scrutiny on it with a fixity which the ruder mountaineer did not miss. For a moment only Boone held the frame, out of which looked Anne Masters' face before his gaze; then he replaced it on the table. He did not stand it up but laid it face down, and in the moment of that little pantomime and the quality of the gesture the visitor read something illuminating.
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Source: Gutenberg

Charles Neville Buck,  The Tempering

“ Something rose in Boone Wellver's throat, and a strange idea stole, not facetiously but with reverent sincerity, into his thoughts. He wished it might have been possible for him to stand there as the clods fell, not as he stood now in the dress of a gentleman, but in homespun and butternut, clasping in his tight hands the coon-skin cap that his boyhood had known. For in this gathering, that was like a quiet pageant of passing eras, he stood for an elder thing than any other here. He was, in effect, by birth and by beginning, the ancestor of them all, for he had been born a pioneer! ”
Source: Gutenberg

Charles Neville Buck,  The Tempering

“ Then came the pale tenderness of greens, and the first shy music of bird-notes. The sodden and threadbare neutrality of winter was flung aside for the white blossoming of dogwood, and in its wake came the pink foam of laurel blossom.
On one of those tuneful days, while Boone sat on the doorstep of Victor McCalloway's house, listening to a story of a campaign far up the Nile, Asa Gregory came along the road, with his long elastic stride, and halted there. He smiled infectiously as he took the proffered chair and crumbled leaf tobacco between his fingers for the filling of his cob pipe.
”
Source: Gutenberg

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