Charles W. Chesnutt

Charles W. Chesnutt

Summary

Portrait of Charles W. Chesnutt Charles W. Chesnutt The House Behind the Cedars — XVIII (1900)

She did not sympathize greatly with
the new era opened up for the emancipated slaves;
she had no ideal love of liberty; she was no broader
and no more altruistic than the white people around
her, to whom she had always looked up; and she
sighed for the old days, because to her they had
been the good days. Now, not only was her king
dead, but the shield of his memory protected her
no longer.
Molly had lost one child, and his grave was
visible from the kitchen window, under a small
clump of cedars in the rear of the two-acre lot.
Source: Wikisource

Portrait of Charles W. Chesnutt Charles W. Chesnutt The House Behind the Cedars — XVIII (1900)

Now and then in the kindlier
phases of slavery these qualities were brightly
conspicuous, and in them, if wisely appealed to, lies
the strongest hope of amity between the two races
whose destiny seems bound up together in the
Western world. Even a dumb brute can be won
by kindness. Surely it were worth while to try
some other weapon than scorn and contumely and
hard words upon people of our common race,--
the human race, which is bigger and broader than
Celt or Saxon, barbarian or Greek, Jew or Gentile,
black or white
Source: Wikisource

Portrait of Charles W. Chesnutt Charles W. Chesnutt The House Behind the Cedars — XVIII (1900)

North Carolina, rich in biographical notices of
distinguished citizens and inscriptions from their
tombstones, upon reading which one might well
wonder why North Carolina had not long ago
eclipsed the rest of the world in wealth, wisdom,
glory, and renown. On almost every page of this
monumental work could be found the most ardent
panegyrics of liberty, side by side with the slavery
statistics of the State,--an incongruity of which
the learned author was deliciously unconscious.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature