Summary

Portrait of Charlotte Brontë Charlotte Brontë The Professor — Chapter XIV.

Know, O incredulous reader! that a master stands in a somewhat different relation towards a pretty, light-headed, probably ignorant girl, to that occupied by a partner at a ball, or a gallant on the promenade. A professor does not meet his pupil to see her dressed in satin and muslin, with hair perfumed and curled, neck scarcely shaded by aerial lace, round white arms circled with bracelets, feet dressed for the gliding dance. It is not his business to whirl her through the waltz, to feed her with compliments, to heighten her beauty by the flush of gratified vanity.
Source: Wikisource

Portrait of Charlotte Brontë Charlotte Brontë The Professor — Chapter XIV.

Had affection, goodness, modesty, real talent, ever employed those bright orbs as interpreters, I do not think I could have refrained from giving a kind and encouraging, perhaps an ardent reply now and then; but as it was, I found pleasure in answering the glance of vanity with the gaze of stoicism. Youthful, fair, brilliant, as were many of my pupils, I can truly say that in me they never saw any other bearing than such as an austere, though just guardian, might have observed towards them.
Source: Wikisource

Portrait of Charlotte Brontë Charlotte Brontë The Professor — Chapter XIV.

The artist prefers a hilly country because it is picturesque; the engineer a flat one because it is convenient; the man of pleasure likes what he calls "a fine woman"—she suits him; the fashionable young gentleman admires the fashionable young lady—she is of his kind; the toil-worn, fagged, probably irritable tutor, blind almost to beauty, insensible to airs and graces, glories chiefly in certain mental qualities; application, love of knowledge, natural capacity, docility, truthfulness, gratefulness, are the charms that attract his notice and win his regard.
Source: Wikisource

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