Charlotte Perkins Gilman

Charlotte Perkins Gilman

Summary

Portrait of Charlotte Perkins Gilman Charlotte Perkins Gilman The Yellow Wall Paper (1901)

I see her in those dark grape arbors, creeping all around the garden.
I see her on that long road under the trees, creeping along, and when a carriage comes she hides under the blackberry vines.
I don't blame her a bit. It must be very humiliating to be caught creeping by daylight!
I always lock the door when I creep by daylight. I can't do it at night, for I know John would suspect something at once.
And John is so queer, now, that I don't want to irritate him. I wish he would take another room! Besides, I don't want anybody to get that woman out at night but myself.
Source: Wikisource

Portrait of Charlotte Perkins Gilman Charlotte Perkins Gilman The Yellow Wall Paper (1901)

Behind that outside pattern the dim shapes get clearer every day.
It is always the same shape, only very numerous.
And it is like a woman stooping down and creeping about behind that pattern. I don't like it a bit. I wonder—I begin to think—I wish John would take me away from here!
It is so hard to talk with John about my case, because he is so wise, and because he loves me so. But I tried it last night.
It was moonlight. The moon shines in all around, just as the sun does.
Source: Wikisource

Portrait of Charlotte Perkins Gilman Charlotte Perkins Gilman The Yellow Wall Paper (1901)

The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing.
You think you have mastered it, but just as you get well under way in following, it turns a back somersault, and there you are. It slaps you in the face, knocks you down, and tramples upon you. It is like a bad dream.
The outside pattern is a florid arabesque, reminding one of a fungus. If you can imagine a toadstool in joints, an interminable string of toadstools, budding and sprouting in endless convolutions,—why, that is something like it.
Source: Wikisource

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