Summary

Portrait of D. H. Lawrence D. H. Lawrence Studies in Classic American Literature… (1923)

And Benjamin tries to shove me into a barbed wire paddock and make me grow potatoes or Chicagoes.
And how can I be free, without gods that come and go? But Benjamin won't let anything exist except my useful fellow men, and I'm sick of them; as for his Godhead, his Providence, He is Head of nothing except a vast heavenly store that keeps every imaginable line of goods, from victrolas to cat-o'-nine tails.
And how can any man be free without a soul of his own, that he believes in and won't sell at any price? But Benjamin doesn't let me have a soul of my own.
Source: Wikisource

Portrait of D. H. Lawrence D. H. Lawrence Studies in Classic American Literature… (1923)

Benjamin, in his sagacity, knew that the breaking of the old world was a long process. In the depths of his own underconsciousness he hated England, he hated Europe, he hated the whole corpus of the European being. He wanted to be American. But you can't change your nature and mode of consciousness like changing your shoes. It is a gradual shedding. Years must go by, and centuries must elapse before you have finished. Like a son escaping from the domination of his parents. The escape is not just one rupture.
Source: Wikisource

Portrait of D. H. Lawrence D. H. Lawrence Studies in Classic American Literature… (1923)

We do all like to get things inside a barbed wire corral. Especially our fellow men. We love to round them up inside the barbed wire enclosure of FREEDOM, and make 'em work. 'Work, you free jewel, WORK!' shouts the liberator, cracking his whip. Benjamin, I will not work. I do not choose to be a free democrat. I am absolutely a servant of my own Holy Ghost.
Source: Wikisource

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