“ In her world, there was this one tense, vivid body of a man, and then many other shadowy men, all unreal. In him, she touched the centre of reality. And they were together, he and she, at the heart of the secret. How she clutched him to her, his body the central body of all life. Out of the rock of his form the very fountain of life flowed. But to him, she was a flame that consumed him. The flame flowed up his limbs, flowed through him, till he was consumed, till he existed only as an unconscious, dark transit of flame, deriving from her. Sometimes, in the darkness, a cow coughed. ”
Summary
Published in 1915, D.H. Lawrence’s The Rainbow traces three generations of the Brangwen family in Nottinghamshire, examining individual pursuits of spiritual and physical fulfillment amid the advance of industrialization.
Centered on Ursula, the granddaughter of farmer Tom Brangwen, the novel charts her turbulent relationships and battle against a conformist society, culminating in a vision of a rainbow symbolizing humanity’s potential rebirth. Censored for its explicit portrayal of desire, the novel’s themes of love and transcendence laid the groundwork for its 1920 sequel, Women in Love.
Quotes from The Rainbow (D. H. Lawrence)
“ Always she must be embroiled in the seethe and rage and passion, endless, endless, going on for ever. And she wanted to draw away. She wanted at last her own innocence and peace. She did not want her sons to force upon her any more the old brutal story of desire and offerings and deep, deep-hidden rage of unsatisfied men against women. She wanted to be beyond it all, to know the peace and innocence of age. She had never been a woman to work much. So that now she would stand often at the garden-gate, watching the scant world go by. ”
“ Will Brangwen went home without having seen his uncle. He held his hot face to the rain, and walked on in a trance. “I love you, Will, I love you.” The words repeated themselves endlessly. The veils had ripped and issued him naked into the endless space, and he shuddered. The walls had thrust him out and given him a vast space to walk in. Whither, through this darkness of infinite space, was he walking blindly? Where, at the end of all the darkness, was God the Almighty still darkly, seated, thrusting him on? “I love you, Will, I love you.” ”
D. H. Lawrence,
The Rainbow
(1915)
“ There was Skrebensky, there was her dark, vital self. Outside the college, the outer darkness, Skrebensky was waiting. On the edge of the night, he was attentive. Did he care? She was free as a leopard that sends up its raucous cry in the night. She had the potent, dark stream of her own blood, she had the glimmering core of fecundity, she had her mate, her complement, her sharer in fruition. So, she had all, everything. Skrebensky was staying in Nottingham all the time. He too was free. He knew no one in this town, he had no civic self to maintain. He was free. ”
“ And there was no time nor life nor death, but only this, this timeless consummation, where the thrust from earth met the thrust from earth and the arch was locked on the keystone of ecstasy. This was all, this was everything. Till he came to himself in the world below. Then again he gathered himself together, in transit, every jet of him strained and leaped, leaped clear into the darkness above, to the fecundity and the unique mystery, to the touch, the clasp, the consummation, the climax of eternity, the apex of the arch. ”
D. H. Lawrence,
The Rainbow
(1915)
“ Her heart was hollow with the knowledge of Winifred Inger. "But you must distinguish between love and passion," said Maggie, adding, with a touch of contempt: "Men will easily have a passion for you, but they won't love you." "Yes," said Ursula, vehemently, the look of suffering, almost of fanaticism, on her face. "Passion is only part of love. And it seems so much because it can't last. That is why passion is never happy." She was staunch for joy, for happiness, and permanency, in contrast with Maggie, who was for sadness, and the inevitable passing-away of things. ”
D. H. Lawrence,
The Rainbow
(1915)
“ Can a man tread the unstable water all his life, and call that standing? Better give in and drown at once. And upon what could he stand, save upon a woman? Was he then like the old man of the seas, impotent to move save upon the back of another life? Was he impotent, or a cripple, or a defective, or a fragment? It was black, mad, shameful torture, the frenzy of fear, the frenzy of desire, and the horrible, grasping back-wash of shame. What was he afraid of? Why did life, without Anna, seem to him just a horrible welter, everything jostling in a meaningless, dark, fathomless flood? ”
“ And he was ready to go back to the Marsh. Without knowing it, Anna was wanting him to come. In him she had escaped. In him the bounds of her experience were transgressed: he was the hole in the wall, beyond which the sunshine blazed on an outside world. He came. Sometimes, not often, but sometimes, talking again, there recurred the strange, remote reality which carried everything before it. Sometimes, he talked of his father, whom he hated with a hatred that was burningly close to love, of his mother, whom he loved, with a love that was keenly close to hatred, or to revolt. ”
“ She caught his brilliant, burnished glamour. Her heart and her soul were shut away fast down below, hidden. She was free of them. She was to have her satisfaction. She became proud and erect, like a flower, putting itself forth in its proper strength. His warmth invigorated her. His beauty of form, which seemed to glow out in contrast with the rest of people, made her proud. It was like deference to her, and made her feel as if she represented before him all the grace and flower of humanity. She was no mere Ursula Brangwen. She was Woman, she was the whole of Woman in the human order. ”
D. H. Lawrence,
The Rainbow
(1915)
“ Will Brangwen ducked his head and looked at his uncle with swift, bright mistrustful eyes, like a caged hawk. "What does it matter how old she is, and how old I am?" he said. "What's the difference between me now and when I'm thirty?" "A big difference, let us hope." "But you have no experience—you have no experience, and no money. Why do you want to marry, without experience or money?" asked the aunt. "What experience do I want, Aunt?" asked the boy. And if Brangwen's heart had not been hard and intact with anger, like a precious stone, he would have agreed. ”
“ It was as if the surface of the world had been broken away entire: Ilkeston, streets, church, people, work, rule-of-the-day, all intact; and yet peeled away into unreality, leaving here exposed the inside, the reality: one’s own being, strange feelings and passions and yearnings and beliefs and aspirations, suddenly become present, revealed, the permanent bedrock, knitted one rock with the woman one loved. It was confounding. Things are not what they seem! When he was a child, he had thought a woman was a woman merely by virtue of her skirts and petticoats. ”
“ It was as if he were a perfect stranger, as if she were infinitely and essentially strange to him, the other half of the world, the dark half of the moon. She waited for his touch as if he were a marauder who had come in, infinitely unknown and desirable to her. And he began to discover her. He had an inkling of the vastness of the unknown sensual store of delights she was. With a passion of voluptuousness that made him dwell on each tiny beauty, in a kind of frenzy of enjoyment, he lit upon her: her beauty, the beauties, the separate, several beauties of her body. ”
D. H. Lawrence,
The Rainbow
(1915)
“ Ursula and Anton Skrebensky walked along the ridge of the canal between. The berries on the hedges were crimson and bright red, above the leaves. The glow of evening and the wheeling of the solitary pee-wit and the faint cry of the birds came to meet the shuffling noise of the pits, the dark, fuming stress of the town opposite, and they two walked the blue strip of water-way, the ribbon of sky between. He was looking, Ursula thought, very beautiful, because of a flush of sunburn on his hands and face. He was telling her how he had learned to shoe horses and select cattle fit for killing. ”
D. H. Lawrence,
The Rainbow
(1915)
“ Was she bearing a child? Bearing a child? To what? Her flesh thrilled, but her soul was sick. It seemed, this child, like the seal set on her own nullity. Yet she was glad in her flesh that she was with child. She began to think, that she would write to Skrebensky, that she would go out to him, and marry him, and live simply as a good wife to him. What did the self, the form of life, matter? Only the living from day to day mattered, the beloved existence in the body, rich, peaceful, complete, with no beyond, no further trouble, no further complication. ”
“ She would walk the foreshore alone after dusk, expecting, expecting something, as if she had gone to a rendezvous. The salt, bitter passion of the sea, its indifference to the earth, its swinging, definite motion, its strength, its attack, and its salt burning, seemed to provoke her to a pitch of madness, tantalizing her with vast suggestions of fulfilment. And then, for personification, would come Skrebensky, Skrebensky, whom she knew, whom she was fond of, who was attractive, but whose soul could not contain her in its waves of strength, nor his breast compel her in burning, salty passion. ”
“ A pang of dread, almost guilt, as of insufficiency, would go over him as he heard her talking to the baby. She stood before the window, with the month-old child in her arms, talking in a musical, young sing-song that he had not heard before, and which rang on his heart like a claim from the distance, or the voice of another world sounding its claim on him. He stood near, listening, and his heart surged, surged to rise and submit. Then it shrank back and stayed aloof. He could not move, a denial was upon him, as if he could not deny himself. He must, he must be himself. ”
“ Man was terrible, awful in his works. The works of man were more terrible than man himself, almost monstrous. And yet, for his own part, for his private being, Brangwen felt that the whole of the man’s world was exterior and extraneous to his own real life with Anna. Sweep away the whole monstrous superstructure of the world of to-day, cities and industries and civilization, leave only the bare earth with plants growing and waters running, and he would not mind, so long as he were whole, had Anna and the child and the new, strange certainty in his soul. ”
“ She was cold and hard and compact of brilliance as the moon itself, and beyond him as the moonlight was beyond him, never to be grasped or known. If he could only set a bond round her and compel her! So they danced four or five dances, always together, always his will becoming more tense, his body more subtle, playing upon her. And still he had not got her, she was hard and bright as ever, intact. But he must weave himself round her, enclose her, enclose her in a net of shadow, of darkness, so she would be like a bright creature gleaming in a net of shadows, caught. ”
“ In every phase she was so different. Yet she was always Ursula Brangwen. But what did it mean, Ursula Brangwen? She did not know what she was. Only she was full of rejection, of refusal. Always, always she was spitting out of her mouth the ash and grit of disillusion, of falsity. She could only stiffen in rejection, in rejection. She seemed always negative in her action. That which she was, positively, was dark and unrevealed, it could not come forth. It was like a seed buried in dry ash. This world in which she lived was like a circle lighted by a lamp. ”
“ Skrebensky was busy, he could not come to see her. She asked for no assurance, no security. What was between them, was, and could not be altered by avowals. She knew that by instinct, she trusted to the intrinsic reality. But she felt an agony of helplessness. She could do nothing. Vaguely she knew the huge powers of the world rolling and crashing together, darkly, clumsily, stupidly, yet colossal, so that one was brushed along almost as dust. Helpless, helpless, swirling like dust! Yet she wanted so hard to rebel, to rage, to fight. ”
D. H. Lawrence,
The Rainbow
(1915)
“ Night fell, the shutters were closed, Brangwen came in to tea, to the loaf and the pewter teapot, the child, silent and quivering, playing with glass beads, the house, empty, it seemed, or exposed to the winter night, as if it had no walls. Sometimes there sounded, long and remote in the house, vibrating through everything, the moaning cry of a woman in labour. Brangwen, sitting downstairs, was divided. His lower, deeper self was with her, bound to her, suffering. But the big shell of his body remembered the sound of owls that used to fly round the farmstead when he was a boy. ”
“ Maggie said that love was the flower of life, and blossomed unexpectedly and without law, and must be plucked where it was found, and enjoyed for the brief hour of its duration. To Ursula this was unsatisfactory. She thought she still loved Anton Skrebensky. But she did not forgive him that he had not been strong enough to acknowledge her. He had denied her. How then could she love him? How then was love so absolute? She did not believe it. She believed that love was a way, a means, not an end in itself, as Maggie seemed to think. And always the way of love would be found. ”
D. H. Lawrence,
The Rainbow
(1915)
“ His soul leapt up into the gloom, into possession, it reeled, it swooned with a great escape, it quivered in the womb, in the hush and the gloom of fecundity, like seed of procreation in ecstasy. She too was overcome with wonder and awe. She followed him in his progress. Here, the twilight was the very essence of life, the coloured darkness was the embryo of all light, and the day. Here, the very first dawn was breaking, the very last sunset sinking, and the immemorial darkness, whereof life's day would blossom and fall away again, re-echoed peace and profound immemorial silence. ”
“ Alas, for the wavering, glimmering appearance of the risen Christ. Alas, for the Ascension into heaven, which is a shadow within death, a complete passing away. Alas, that so soon the drama is over; that life is ended at thirty-three; that the half of the year of the soul is cold and historiless! Alas, that a risen Christ has no place with us! Alas, that the memory of the passion of Sorrow and Death and the Grave holds triumph over the pale fact of Resurrection! But why? Why shall I not rise with my body whole and perfect, shining with strong life? ”
D. H. Lawrence,
The Rainbow
(1915)
“ But what self? Suddenly in her mind the world gleamed strangely, with an intense light, like the nucleus of the creature under the microscope. Suddenly she had passed away into an intensely-gleaming light of knowledge. She could not understand what it all was. She only knew that it was not limited mechanical energy, nor mere purpose of self-preservation and self-assertion. It was a consummation, a being infinite. Self was a oneness with the infinite. To be oneself was a supreme, gleaming triumph of infinity. Ursula sat abstracted over her microscope, in suspense. ”
D. H. Lawrence,
The Rainbow
(1915)
“ One evening, suddenly, he saw the tiny, living thing rolling naked in the mother's lap, and he was sick, it was so utterly helpless and vulnerable and extraneous; in a world of hard surfaces and varying altitudes, it lay vulnerable and naked at every point. Yet it was quite blithe. And yet, in its blind, awful crying, was there not the blind, far-off terror of its own vulnerable nakedness, the terror of being so utterly delivered over, helpless at every point. He could not bear to hear it crying. His heart strained and stood on guard against the whole universe. ”
“ She watched them fluttering and bobbing, the white, shut flowers, anchored by a thread to the grey-green grass, yet never blown away, not drifting with the wind. As she rose in the morning, the dawn was beating up white, gusts of light blown like a thin snowstorm from the east, blown stronger and fiercer, till the rose appeared, and the gold, and the sea lit up below. She was impassive and indifferent. Yet she was outside the enclosure of darkness. There passed a space of shadow again, the familiarity of dread-worship, during which she was moved, oblivious, to Cossethay. ”
D. H. Lawrence,
The Rainbow
(1915)
“ But now he saw them crouching under the sky, with still the dark, mysterious world of reality inside, but as a world within a world, a sort of side show, whereas before they had been as a world to him within a chaos: a reality, an order, an absolute, within a meaningless confusion. He had felt, before, that could he but go through the great door and look down the gloom towards the far-off, concluding wonder of the altar, that then, with the windows suspended around like tablets of jewels emanating their own glory, then he had arrived. ”
“ Can I not, then, walk this earth in gladness, being risen from sorrow? Can I not eat with my brother happily, and with joy kiss my beloved, after my resurrection, celebrate my marriage in the flesh with feastings, go about my business eagerly, in the joy of my fellows? Is heaven impatient for me, and bitter against this earth, that I should hurry off, or that I should linger pale and untouched? Is the flesh which was crucified become as poison to the crowds in the street, or is it as a strong gladness and hope to them, as the first flower blossoming out of the earth’s humus? ”
“ How could he embrace it and fathom it? How could he close his arms round all this darkness and hold it to his breast and give himself to it? What might not happen to him? If he stretched and strained for ever he would never be able to grasp it all, and to yield himself naked out of his own hands into the unknown power! How could a man be strong enough to take her, put his arms round her and have her, and be sure he could conquer this awful unknown next his heart? What was it then that she was, to which he must also deliver himself up, and which at the same time he must embrace, contain? ”
D. H. Lawrence,
The Rainbow
(1915)
“ Why, if Anna left him even for a week, did he seem to be clinging like a madman to the edge of reality, and slipping surely, surely into the flood of unreality that would drown him. This horrible slipping into unreality drove him mad, his soul screamed with fear and agony. Yet she was pushing him off from her, pushing him away, breaking his fingers from their hold on her, persistently, ruthlessly. He wanted her to have pity. And sometimes for a moment she had pity. But she always began again, thrusting him off, into the deep water, into the frenzy and agony of uncertainty. ”
D. H. Lawrence,
The Rainbow
(1915)
“ He trembled with fear as the words beat in his heart again. And he dared not think of her face, of her eyes which shone, and of her strange, transfigured face. The hand of the Hidden Almighty, burning bright, had thrust out of the darkness and gripped him. He went on subject and in fear, his heart gripped and burning from the touch. The days went by, they ran on dark-padded feet in silence. He went to see Anna, but again there had come a reserve between them. Tom Brangwen was gloomy, his blue eyes sombre. Anna was strange and delivered up. ”
D. H. Lawrence,
The Rainbow
(1915)
“ How he loved that little Ursula!—his heart had been sharply seared for her, when he was a youth, first married. When she was a little older, he would see her recklessly climbing over the bars of the stile, in her red pinafore, swinging in peril and tumbling over, picking herself up and flitting towards him. Sometimes she liked to ride on his shoulder, sometimes she preferred to walk with his hand, sometimes she would fling her arms round his legs for a moment, then race free again, whilst he went shouting and calling to her, a child along with her. ”
