Summary

Portrait of Louis Couperus Louis Couperus Old People and the Things That Pass

Ottilie remained alone; and her sobs ceased at once. She knew it herself—the years had taught her as much as that—she easily lost her temper and would always remain a child. But, in that case, why grow older, in ever-increasing loneliness? There she sat, there she sat now, an old, grey woman, in that unhomely room; and everything was past. Oh, if Lot only remained with her, her Lot, her Charlot, her boy! And she felt her jealousy of Lot and Elly, at first restrained, rising more and more violently. And that other jealousy: her jealousy of Steyn.
Source: Gutenberg

Portrait of Louis Couperus Louis Couperus Old People and the Things That Pass

Oh, what a wealth of adulation had surrounded her then! Now, all those men were old or dead; only her own three husbands were alive; and Steyn was still young. He was too young: if he had not been so young, she would have kept her charm for him longer and they would still be nice to each other, happy together as old people can be sometimes, even though the warmth of youth is past.... She heaved a deep sigh through her tears and sat in her chair like a helpless child that has been naughty and now does not know what to do.
Source: Gutenberg

Portrait of Louis Couperus Louis Couperus Old People and the Things That Pass

As it was dark, the lined porcelain of the old woman's face was hardly indicated in the crimson twilight of the curtains and the tall valance. She sat on the chair, in the cashmere folds of her wide dress, straight upright, as on a throne; and in her lap the frail fingers trembled like slender wands in the black mittens. A few words were exchanged between mother and son, he sitting on a chair beside her, for no one ever took the chair by the window, which was kept exclusively for Mr. Takma: words about health and weather and the wedding of Elly and Lot next day.
Source: Gutenberg

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