Summary

Portrait of Dante Alighieri Dante Alighieri The Divine Comedy — Vol. I. (Inferno… (1867)

I will return with hasty steps, if you or any other can open to me a way that shall not derogate from the fame and honor of Dante; but if by no such way Florence can be entered, then Florence I shall never enter. What! shall I not everywhere enjoy the light of the sun and stars? and may I not seek and contemplate, in every corner of the earth, under the canopy of heaven, consoling and delightful truth, without first rendering myself inglorious, nay infamous, to the people and republic of Florence?
Source: Wikisource

Portrait of Dante Alighieri Dante Alighieri The Divine Comedy — Vol. I. (Inferno… (1867)

Is such an invitation, then, to return to his country glorious to Dante Alighieri, after suffering in exile almost fifteen years? Is it thus they would recompense innocence which all the world knows, and the labor and fatigue of unremitting study? Far from the man who is familiar with philosophy be the senseless baseness of a heart of earth, that could act like a little sciolist, and imitate the infamy of some others, by offering himself up as it were in chains: far from the man who cries aloud for justice, this compromise by his money with his persecutors.
Source: Wikisource

Portrait of Dante Alighieri Dante Alighieri The Divine Comedy — Vol. I. (Inferno… (1867)

On the very threshold of the inquiry concerning it, we are met with the doubt whether the art of taking casts was practised at the time of Dante's death. In his 'Life of Andrea de Verrocchio, Vasari says that this art began to come into use in his time, that is, about the middle of the fifteenth century; and Bottari refers to the likeness of Brunelleschi, who died in 1446, which was taken in this manner, and was preserved in the office of the Works of the Cathedral at Florence. It is not impossible that so simple an art may have been sometimes practised at an earlier period
Source: Wikisource

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