Digby Diehl, Drug Themes in Fiction (1974)
“ It is the integration of the drug-user into society, the doper as Everyman, that opens a new phase of drug literature in the contemporary era. And it is in this newfound representative role that the drug literature of contemporary America may ultimately play a significant part a a mirror of our culture. Unlike the traditionally outcast black magician or the black jazz musician, we come to identify with the drug taker in contemporary writing as on a trip for all of us: an astronaut of inner pace. ”
