E. E. Smith

E. E. Smith

Summary

Portrait of E. E. Smith E. E. Smith Masters of the vortex (1960)

The gangsters thought that they were being very smart and cagey in using numbers instead of names, but neither had any idea of the power of a really good telepathic mind, or of that of a really good linguist. Each of those numbers meant something to either or to both of those men, and whatever it was—a name, a picture, a storefront or address, or a fleeting glimpse of personality pattern—Nadine seized and transmitted, either in shorthand or by force of mind, or both; and Vesta taped, in machine-gun-fast Spanish, every written word and every nuance of thought.
Source: Gutenberg

Portrait of E. E. Smith E. E. Smith Masters of the vortex (1960)

In three point six eight one seconds the activity of the vortex would match bomb number eleven to within one-tenth of one percent.
His left hand flashed out, number eleven firing stud snapped down. The vessel shuddered as though struck by a trip-hammer as the precisely-weighed charge of propellant heptadetonite went off. The bomb sped truly, in both space and time. There was a detonation that jarred the planet to its core, a flare of light many times brighter than the sun at noon, a shock-wave that wrought havoc for miles.
Source: Gutenberg

Portrait of E. E. Smith E. E. Smith Masters of the vortex (1960)

Cloud wrenched their linked minds away.
“This is monstrous, Joan!”
“What’s monstrous about it?” she asked, quietly. “Nothing. It isn’t. Women need children, Storm. All women, everywhere. Now that I’ve found you, I can scarcely wait to have some myself. And listen, Storm, please. Before we visit Nadine, you must make up your mind to face facts—any kind of facts—without flinching and shying away and getting mental goose-bumps all over your psyche.”
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature