Summary

Portrait of Earl Derr Biggers Earl Derr Biggers Love Insurance — IV. Mr. Trimmer Limbers Up (1914)

To show to him the one girl in all her glory and sweetness, to thrill him through and through with his discovery—and then to send the girl scurrying off to announce her engagement to another man! Scurvy, he called it. But scurvier still, that it should be the very engagement he had hastened to San Marco to bring to its proper close—"I do," and Mendelssohn.
He sat gloomily down on the bed. What could he do? What save keep his word, given on the seventeenth floor of an office building in New York? No man had yet had reason to question the good faith of a Minot.
Source: Wikisource

Portrait of Earl Derr Biggers Earl Derr Biggers Love Insurance — IV. Mr. Trimmer Limbers Up (1914)

Minot—I've been looking everywhere—"
She was beside him now, a slim white figure in the dusk—the one thing lacking in that glittering picture. He leaped to meet her.
"Sitting here dreaming, I reckon," she whispered, "of somebody far away."
"No." He shook his head. "I leave that to the newly engaged."
She made no answer. He gave her his chair, and drew up another for himself.
Source: Wikisource

Portrait of Earl Derr Biggers Earl Derr Biggers Love Insurance — IV. Mr. Trimmer Limbers Up (1914)

Mr. Minot moved on from the imminence of Mrs. Bruce. A moment later the limousine sped by him. One seat was generously filled by the wittiest hostess in San Marco. Seated opposite her, Mr. Paddock waved an airy hand. Life had always been the gayest of jokes to Mr. Paddock.
Life was at the moment quite the opposite to Dick Minot. He devoted the next hour to sad introspection in the lobby.
Source: Wikisource

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