Earl Derr Biggers

Earl Derr Biggers

Summary

Portrait of Earl Derr Biggers Earl Derr Biggers The Sob Sister's Man (1910)

After he had left us and dodged into the darkness we discussed his heaven as it really must be. Ibsen and welsh rarebits, emotion and hairpins, scattered all about, we wagered. Red curtains on the windows and framed verses from the Rubaiyat, decorating the walls. We shuddered, and told one another that Percy had been always lost, for so it seemed to us—lost at the outset in the allurements of rainbow liqueurs; lost even more hopelessly, now, in the clutches of his frowsy priestess of purple emotion.
Source: Wikisource

Portrait of Earl Derr Biggers Earl Derr Biggers The Sob Sister's Man (1910)

In a half hour we ran across Burkett, got all the stuff he had not sent in by telephone, and received from him Hayes' telephoned order to come in and write what we had.
And then, as we turned our backs on that blazing string of water-front sheds, Percy crawled down to us and told us why he had done it. Anyone could have guessed.
She adored heroes. With all the red fervor of her shallow soul she worshipped “big, strong men,” who thought nothing of leaping into danger for others.
Source: Wikisource

Portrait of Earl Derr Biggers Earl Derr Biggers The Sob Sister's Man (1910)

Before the door closed upon him, Percy smiled back at us over his shoulder.
We returned to our story—but we thought of the flat, and of Minnavieve.
Nietzsche, poppies, rant, and rarebits made us pause.
Billy looked up with the expression of a man who does not understand.
“She's as shallow,” he said, “as the slush on the sidewalks in March—that reminds you so much of her stuff.”
And then we were silent, wondering, for we knew that out of quite hopeless material this flaming sob sister had molded something that wanted to be a man.
Source: Wikisource

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