Earl Derr Biggers

Earl Derr Biggers

Summary

Portrait of Earl Derr Biggers Earl Derr Biggers The house without a key (1925)

He walked along the beach, savagely kicking his toes into the white sand. "Johnnie!" She had called him Johnnie. And the way she had looked at him, too! Again John Quincy felt that sharp pang in his heart. Foolish, foolish; better go back to Boston and forget. Peaceful old Boston, that was where he belonged. He was an old man out here—thirty, nearly. Better go away and leave these children to love and the moonlit beach.
Miss Minerva had gone in the big car to call on friends, and the house was quiet as the tomb. John Quincy wandered aimlessly about the rooms, gloomy and bereft.
Source: Gutenberg

Portrait of Earl Derr Biggers Earl Derr Biggers The house without a key (1925)

He sat on Dan Winterslip's lanai, trying to think things out. Boston, the office, the art gallery, the theaters. The Common on a winter's day, with the air bracing and full of life. The thrill of a new issue of bonds, like the thrill of a theatrical first night—would it get over big or flop at his feet? Tennis at Longwood, long evenings on the Charles, golf with people of his own kind at Magnolia. Tea out of exquisite cups in dim old drawing-rooms. Wasn't he mad to think of giving up all that? But what had Miss Minerva said?
Source: Gutenberg

Portrait of Earl Derr Biggers Earl Derr Biggers The house without a key (1925)

John Quincy noted her smile of greeting for Jennison, and rather wished he knew less than he did.
"Prepare for a thrill, John Quincy," the girl said. "Landing in Hawaii is like landing nowhere else on the globe. Of course, this is a through boat, and it isn't welcomed as the Matson liners are. But there'll be a crowd waiting for the Matsonia this morning, and we'll steal a little of her aloha."
"A little of her what?" inquired John Quincy.
"Aloha—meaning loving welcome. You shall have all my leis, John Quincy. Just to show you how glad Honolulu is you've come at last."
Source: Gutenberg

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