Edgar Jepson

Edgar Jepson

Summary

Portrait of Edgar Jepson Edgar Jepson The Luck of the Mings (1925)

I liked it,” said John Henry.
“I should think you did,” said Morden Masters. “You bought it at Gleneby's? For next to nothing, of course, or I should have heard of the sale. What do you want for it?”
John Henry looked at him. He liked him. He was a gentleman. He said frankly, “Well, to tell you the truth, sir, I haven't the slightest idea what its value is.”
“And I'm sure I haven't,” said Morden Masters, still looking at the vase with eyes from which the astonishment had not yet passed. “You know how it is—objects of art have no definite value. It depends on how much a man wants them.
Source: Wikisource

Portrait of Edgar Jepson Edgar Jepson The Luck of the Mings (1925)

William Jones finished unpacking the case. John Henry made a list of the objects of art it contained in his notebook and went down to the office to enter them in the ledger, thinking about the jade vase and Mr. Sing.
He considered Mr. Sing by far the smoothest human being he had ever come across, or was ever likely to come across. Smooth in his talk, his manner, his gestures and his gait, that stout, round-faced, sleepy-eyed, benignant and amiable Chinaman had always seemed to him the final embodiment of human smoothness.
Source: Wikisource

Portrait of Edgar Jepson Edgar Jepson The Luck of the Mings (1925)

John Henry accepted the invitation.
He reached home very much refreshed. He had not enjoyed so stimulating an evening for years. Forthwith he set the jade vase in its place in the middle of the mantelpiece. Again it gave him the greatest pleasure. It was almost as if an old friend had come back. He felt that he was the right man to have it; it would bring him luck; he was sure of it. Sing had been a fool to try to fight a man who had that vase in his pocket, and then when he did get it from him he should have stuck to it and he would have beaten the other Chinamen.
Source: Wikisource

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