Summary

Portrait of Edgar Wallace Edgar Wallace Bones in London — CHAPTER V.—A CINEMA PICTURE (1921)

Bones is developing a queer business sense."
Hamilton nodded.
"It is his romantic soul which gets him there," he said. "Bones will not look at a proposition which hasn't something fantastical behind it. He doesn't know much about business, but he's a regular whale on adventure. I've been studying him for the past month, and I'm beginning to sense his method. If he sees a logical and happy end to the romantic side of any new business, he takes it on. He simply carries the business through on the back of a dream."
Source: Wikisource

Portrait of Edgar Wallace Edgar Wallace Bones in London — CHAPTER V.—A CINEMA PICTURE (1921)

Becksteine's genius. "I've worked the thing out, and I see just how we can save money. In producing two-roller cinematographs—that's the technical term," explained Bones, "the heavy expense is with the artistes. The salaries that these people are paid! My dear old Ham, you'd never believe."
"I don't see how you can avoid paying salaries," said Hamilton patiently. "I suppose even actors have to live."
"Ah!" said Mr. Becksteine, shaking his head.
"Of course, dear old thing. But why pay outside actors?" said Bones triumphantly.
Source: Wikisource

Portrait of Edgar Wallace Edgar Wallace Bones in London — CHAPTER V.—A CINEMA PICTURE (1921)

The elderly man sat in a chair and watched it reeled off, and when the lights in the little theatre went up, he turned to Bones with a smile.
"I'm interested in cinema companies," he said, "and I rather fancy that I should like to include your property in an amalgamation I am making. I could assist you to fix a price," he said to the astonished Bones, "if you would tell me frankly, as I think you will, just what this business has cost you from first to last."
"My dear old amalgamator," said Bones reproachfully, "is that business? I ask you."
"It may be good business," said the other.
Source: Wikisource

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