Edgar Wallace

Edgar Wallace

Summary

Portrait of Edgar Wallace Edgar Wallace The Magic of Fear (1921)

She was terribly receptive to flattery and ripe for adventure.
“Have you no wives, Aliki?” she asked, pleased. “Now, I will give you Agasaka, the sister of my husband, who is very beautiful and has never touched the shoulder of a man.” This she said in spite, for she hated Agasaka, and it is a way of women to praise, to strangers, the qualities of the sisters they loathe.
“As to Agasaka ... and wives. ...” He made a gesture of contempt. “There is no such wife as you, not even in the hut of the old king beyond the mountains, which are the end of the world,” said Aliki, and Loka laughed again.
Source: Wikisource

Portrait of Edgar Wallace Edgar Wallace The Magic of Fear (1921)

N'guro, the headless dog, and Chikalaka-m'bofunga, the eater of moons—indeed all except the Fire Lizard, whose eyes talk death. He is to be found in no one place. N'kema had taught her the mysteries of life and the beginning of life and the ground where life is sown. She knew men in their rawness and in their strength. N'ktema taught her the way in which she might be more wonderful than any other woman; the magic handed down from mouth to mouth—the magic which was old when they laid the first deep stones of the Pyramids.
Source: Wikisource

Portrait of Edgar Wallace Edgar Wallace The Magic of Fear (1921)

A tall maiden, very slim of body and very grave of eyes, no lover for any man, having a great love for something more imponderable than man; terribly wise too, in the ways of ghosts and devils; straight-backed, small-breasted, beloved of children, so strong in the arm and skilled in her strength that she could put a spear beyond the range of any young man's throw: this was Agasaka, the Chimbiri woman, daughter of N'kman'kimi, the dead village woodman.
Source: Wikisource

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