Summary

Portrait of Edith Wharton Edith Wharton Tales of Men and Ghosts — The Legend (1914)

Bernald sat opposite, his elbows propped on the table, his eyes fixed on the swaying waters outside, from which the moon gradually faded, leaving them to make a denser blackness in the night. As Pellerin read, this density of blackness—which never for a moment seemed inert or unalive—was attenuated by imperceptible degrees, till a greyish pallor replaced it; then the pallor breathed and brightened, and suddenly dawn was on the sea.
Something of the same nature went on in the young man's mind while he watched and listened.
Source: Wikisource

Portrait of Edith Wharton Edith Wharton Tales of Men and Ghosts — The Legend (1914)

Close on midnight, when the session on the verandah ended, and the two young men were strolling down to the bungalow at Winterman's side, Bernald's mind reverted to the image of the fertilising cloud. There was something brooding, pregnant, in the silent presence beside him: he had, in place of any circumscribing impression of the individual, a large hovering sense of manifold latent meanings. And he felt a distinct thrill of relief when, half-way down the lawn, Doctor Bob was checked by a voice that called him back to the telephone.
Source: Wikisource

Portrait of Edith Wharton Edith Wharton Tales of Men and Ghosts — The Legend (1914)

In such a scale of values how little the small daily alternatives must weigh!
At the close of Howland Wade's discourse, Bernald, charged with his prodigious secret, had felt the need to escape for an instant from the liberated rush of talk. The interest of watching Pellerin was so perilously great that the watcher felt it might, at any moment, betray him. He lingered in the drawing-room long enough to see his friend enclosed in a mounting tide, above which Mrs. Beecher Bain and Miss Fosdick actively waved their conversational tridents
Source: Wikisource

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