Summary

Portrait of Edith Wharton Edith Wharton The House of Mirth — Book I, Chapter I (1905)

As she moved beside him, with her long light step, Selden was conscious of taking a luxurious pleasure in her nearness: in the modelling of her little ear, the crisp upward wave of her hair—was it ever so slightly brightened by art?—and the thick planting of her straight black lashes. Everything about her was at once vigorous and exquisite, at once strong and fine. He had a confused sense that she must have cost a great deal to make, that a great many dull and ugly people must, in some mysterious way, have been sacrificed to produce her.
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Portrait of Edith Wharton Edith Wharton The House of Mirth — Book I, Chapter I (1905)

She began to saunter about the room, examining the book-shelves between the puffs of her cigarette-smoke. Some of the volumes had the ripe tints of good tooling and old morocco, and her eyes lingered on them caressingly, not with the appreciation of the expert, but with the pleasure in agreeable tones and textures that was one of her inmost susceptibilities. Suddenly her expression changed from desultory enjoyment to active conjecture, and she turned to Selden with a question.
"You collect, don't you—you know about first editions and things?"
"As much as a man may who has no money to spend.
Source: Wikisource

Portrait of Edith Wharton Edith Wharton The House of Mirth — Book I, Chapter I (1905)

Selden broke into a laugh. "God forbid!" he declared.
She rose with a sigh, tossing her cigarette into the grate.
"Ah, there's the difference—a girl must, a man may if he chooses." She surveyed him critically. "Your coat's a little shabby—but who cares? It doesn't keep people from asking you to dine. If I were shabby no one would have me: a woman is asked out as much for her clothes as for herself. The clothes are the background, the frame, if you like: they don't make success, but they are a part of it. Who wants a dingy woman?
Source: Wikisource

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