Summary

Portrait of Edith Wharton Edith Wharton The Valley of Decision — Book II, Chapter 10 (1901)

It seemed that magnificence could go no farther, till the seventeenth century brought to the throne a Duke who asked himself how a self-respecting prince could live without a theatre, a riding-school and an additional wing to lodge the ever-growing train of court officials who had by this time replaced the feudal men-at-arms. He answered the question by laying an extra tax on his people and inviting to Pianura the great Roman architect Carlo Borromini, who regretfully admitted that his illustrious patron was on the whole less royally housed than their Highnesses of Mantua and Parma.
Source: Wikisource

Portrait of Edith Wharton Edith Wharton The Valley of Decision — Book II, Chapter 10 (1901)

Where he had then beheld a supernatural fabric, peopled with divinities of bronze and marble, and glowing with light and colour, he now saw a many-corridored palace, stately indeed, and full of a faded splendour, but dull and antiquated in comparison with the new-fangled elegance of the Sardinian court. Yet at every turn some object thrilled the fibres of old association or pride of race. Here he traversed a gallery hung with the portraits of his line; there caught a glimpse of the pages' antechamber through which he and his mother had been led when they waited on the Duke
Source: Wikisource

Portrait of Edith Wharton Edith Wharton The Valley of Decision — Book II, Chapter 10 (1901)

I, who have laboured early and late to remove temptation from my people--who have punished offences against conduct as unsparingly as spiritual error--I, who have not scrupled to destroy every picture in my galleries that contained a nude figure or a wanton attitude--I, who have been blessed from childhood by tokens of divine favour and miraculous intervention--can I doubt that I have earned the privileges of that higher state in which the soul is no longer responsible for the failings of the body?
Source: Wikisource

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