Summary

Portrait of Edith Wharton Edith Wharton The Valley of Decision — Book IV, Chapter 1 (1901)

The horrors of the scene were depicted with a childish minuteness of detail, as though the painter had sought to produce an impression of moral anguish by the accumulation of physical sufferings; and just such puerile images of the wrath to come may have haunted the mysterious recesses of the Duke's imagination. Crescenti had told Odo how the dying man's thoughts had seemed to centre upon this dreadful subject, and how again and again, amid his ravings, he had cried out that the picture must be burned, as though the sight of it was become intolerable to him.
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Portrait of Edith Wharton Edith Wharton The Valley of Decision — Book IV, Chapter 1 (1901)

The pageant was indeed brilliant enough to justify the popular transport; and the fact that the new Duke formed a worthy centre to so much magnificence was not lost on his splendour-loving subjects. The late sovereign had so long held himself aloof that the city was unaccustomed to such shows, and as the procession wound into the square before the Cathedral, where the thickest of the crowd was massed, the very pealing of the church-bells was lost in the roar of human voices.
Source: Wikisource

Portrait of Edith Wharton Edith Wharton The Valley of Decision — Book IV, Chapter 1 (1901)

It is the moment for which Austria waits. There is always an Archduke ready--and her Highness is still a young woman."
Odo turned slowly from the window. "I have told you that this is impossible," he murmured.
Trescorre looked down and thoughtfully fingered the documents in his hands.
"Your Highness," said he, "is as well-acquainted as your ministers with the difficulties that beset us. Monte Alloro is one of the richest states in Italy. It is a pity to alienate such revenues from Pianura."
The new Duke was silent. His minister's words were merely the audible expression of his own thoughts.
Source: Wikisource

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